Trailer
In 1981, minimalist sculptor Richard Serra installed a 120-foot-long wall of unfinished steel that cut New York's Federal Plaza in half. The artwork became a lightning rod for controversy, leading to heated debates and a public trial to determine the fate of the sculpture. Tilted Arc, named after the installation, uses archival footage to explore both Serra's eccentric but zealous defense of his art and his opposition's comic ignorance and absurd vendetta against minimalism. Tilted Arc asks the question: What is the function of public art in our society?